
It’s been a week now since the very first lineup announcement for next year’s Reading & Leeds. With the promise of six headliners to be announced across two main stages, expectations were understandably high. Here are a few reasons why I feel this lineup falls far short of those expectations.
Weak headliners

Let’s start with the headliners. Reading & Leeds is known for booking some of the biggest artists in the world and Stormzy and Post Malone certainly fall under that category. You could argue the case for Liam Gallagher as well, he was in Oasis after all, but it’s the other 3 headliners that I question. I can’t deny that Disclosure have a few bangers but I feel they’re an underwhelming booking for a main stage headliner and Queens Of The Stone Age are there to please the rock fans but they’re certainly not Foo Fighters or Rage. It’s Catfish and the Bottlemen that stand out the most for me. They were due to headline Truck Fest this year which I think has a capacity of around 20,000 and seemed about right for them. They’re now headlining at Reading & Leeds, which has a capacity of roughly 180,000 across both sites which seems like a ridiculous step up. It feels like we have 3 great headliners here and 3 glorified co-headliners. Even the horrific layout of the poster makes the latter 3 look like lesser artists.
Melvin Benn lied?

In an interview with NME shortly before the announcement, Melvin Benn (festival director) stated that there would be six headliners. Of these six he said that “every one of them is a first time headliner”. Now, Queens Of The Stone Age (2014), Disclosure (2016) and Post Malone (2019) have all headlined before. Well, co-headlined but that counts right!? Obviously not to Melvin as they all return for next year. He can argue that one but Benny boy can’t get away with his other clue that only one headliner would be carried over from 2020 as both Stormzy and Liam Gallagher are repeated. This untrue information sent people’s imaginations loose and you only had to look at some of the predicted or “leaked” lineups to be filled with an immense amount of false hope.
Where Are The Women At?

With the festival receiving plenty of public criticism for its male dominated lineups over the last couple of years, the double main stage felt like a perfect opportunity to promote some more gender diversity on the lineup. Of six headliners you’d think at least one of them would be the first female (or female fronted) headliner since Paramore way back in 2014 (although they co-headlined so maybe that doesn’t even count) but you would be wrong. It’s a common argument that female acts “just aren’t popular enough” or “there isn’t enough of them” to headline but that just doesn’t stand anymore. If you look at the standard of headliners for 2021 there are countless female artists who would be capable of headlining (Dua Lipa, Billie Eilish, Wolf Alice and Florence and the Machine to name a few) and there’s no way that none of them were available. It’s about time a festival the size of Reading & Leeds started booking women higher up the bill to inspire others to pick up an instrument and get into an incredibly male dominated industry. No more sausage fests please.

With all things considered, this lineup so far just feels like a huge missed opportunity. Having such weak headliners makes it seem pointless having six of them and after gloating in the past that Reading & Leeds is a very current and forward thinking festival, having more women high up the poster would have been a great way to back that statement.
What are your thoughts on the lineup? Let me know via the social links below.
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