The Return of Live Music

It’s been a long 18 months but finally, live music has returned if not with just a few rules still to follow.

Most venues in the UK ask that you meet one of three entry requirements. These include:

  • Proof that you are fully vaccinated (the second one being received at least 14 days before the event)
  • Proof of a negative lateral flow test result within 24 hours of the event
  • Proof of immunity with a positive pcr test result within 180 days of the event and the 10 day isolation period has passed

Nothing But Thieves – O2 Academy Oxford

Once we were in, our time queuing for the bar was soundtracked by Hastings alternative punks Kid Kapichi, who’s take on punk rock has a raw sound while still sounding tight and organised. Their set was very enjoyable and I’ll be keeping my eyes on them in future.

Nothing But Thieves started their set with some real intensity opening with one of my favourites, ‘Amsterdam’. “I’m so sorry, it’s been a while” said an apologetic Conor Mason as he forgot the words to ‘I Was Just a Kid’ but he was more than forgiven as he put on an incredible vocal performance throughout the whole evening.

The acoustic guitar made a couple of appearances for songs such as ‘Soda’ and ‘If I Get High’ but was put away in time for ‘Made By Design’. This band always astounds me with their versatility. One minute you’re part of a heartfelt singalong and the next, a swirling circle pit.

It’s really hard to believe that live music has been away for so long because everything about this evening felt so natural and normal. The crowd were passionate but respectful the whole time and it made for a lovely welcome back for myself. I look forward to seeing Nothing But Thieves again in October at the O2 Arena.

Twin Atlantic – O2 Academy Oxford

I didn’t have to wait much longer for my next gig as I returned to the Oxford O2 Academy the very next day for Scottish legends Twin Atlantic.

After a traditional pre-gig meal (Nandos this time) we made our way across Cowley Road and were one of the first in the room thanks to O2 priority. We made the most of the empty bar before finding a spot for support act, ‘BLOXX’.

I always love it when a support act just looks like they’re having tonnes of fun on stage and BLOXX seemed to be having a great time! They came straight out of the blocks (hehe) with bags of energy and they really warmed up the crowd. 5000 miles stood out for me for it’s catchy chorus and fun pop-rock vibes. And vibes really is the word for BLOXX, they were fantastic!

The crowd had another moment to warm up their vocal cords as Bohemian Rhapsody played over the speakers although you could barely hear it for the volume of the people singing.

Twin Atlantic opened with divisive new single ‘Bang on the Gong’, which meant the night could only get better. But it did and very quickly. I was surprised to see a decent number of old favourites in the set including ‘Make a Beast of Myself’ , ‘Edit Me’ and even ‘What Is Light, Where Is Laughter’ from 2009’s ‘Vivarium’. We were even treated to 2 acoustic songs, ‘Oceans’ and ‘Crash Land’.

I was yet again impressed by the vocal performance on show, this time from Sam McTrusty who’s distinct Scottish pipes almost took the roof off before using his superb crowd interaction skills to rip it off with their help.

I wasn’t sure if I was still much of a Twin Atlantic fan as their recent music hasn’t been as enjoyable for me as their older releases however, as they played us out to Heart and Soul, I was reaching the end of an evening where I had been strongly reminded of what a great band they are and probably always will be.

IDLES – O2 Academy Oxford

Ending this trilogy of Oxford gigs was the incredible IDLES. Truck Store brought them to the O2 Academy for a belated celebration of the release of album ‘Ultra Mono’, my review of which you can find here: https://thebirdbox.home.blog/2020/09/26/album-review-idles-ultra-mono/

It should’ve come as no surprise then really that songs from that album made up a large portion of the set (8 songs to be precise). ‘War’ and ‘Grounds’ opened the set before Mr. Motivator was dedicated to the fans for their support during the pandemic. Frontman Joe Talbot announced that he would be performing ‘The Lover’ on his knees as he had forgotten the lyrics and had to read them from a tiny sheet on the floor.

The lyric sheet would not be needed for the rest of the evening as the second half of the set mostly explored the previous 2 albums. The crowd chanted loudly and proudly for ‘Mother’ and opened up the pit for ‘Television’ and ‘Divide and Conquer’ before the absolute chaos of ‘Love Song’ where both guitarists ended up either in or on the crowd. Lee ended up standing on the bar while Mark screamed his unique renditions of Radiohead and Spice Girls with so much enthusiasm that he could barely talk afterwards.

‘Danke’ worked perfectly well as a set closer with Talbot adding some support to Jon Beavis on drums before declaring “I will now go backstage and shit myself”.

IDLES do a perfect job of tackling important subject matter while still allowing their personalities and sense of humour to show through their performance and providing a fun, high energy set. There were a couple of fan favourites absent from the setlist such as ‘Colossus’ and ‘Danny Nedelko’ but this was barely noticeable due to the quality of their music catalogue.

Of the three, this was the one where I truly felt that live music had made a full return. I was able to lose myself in the pit in a safe environment with no fears whatsoever. Any worries and stresses from the last 18 months were forgotten about and left outside the door.


You can see what I got up to on the Ragamuffin Music Podcast YouTube channel and subscribe to see more vlogs in future.

Is Pop-Punk Blowing Up Again?

The best way to answer this question is probably by first looking back at how it blew up before, so here’s a little history lesson.

The first seeds of the ‘Pop-Punk’ genre were sown in the 60s and 70s by punk bands such as The Ramones and Sex Pistols pioneering a more aggressive brand of rock and roll. However, it wasn’t until the 90s that it would be recognisable as being anything like it is today.

Bands like Green Day started signing to major record labels in the mid 90s as interest in punk began gaining momentum towards the end of the decade and the start of the next. Sum 41, Blink 182 and New Found Glory were among a great number of bands having incredible mainstream success in an era referred to as ‘the first wave’.

Pop-Punk reigned supreme for just a few years until it began to lose momentum in the mid 2000s. The lines that define genre had become blurred with so many subgenres like emo and easycore starting to break away from the ‘rules’ set by pop-punk.

Another wave of bands emerged between around 2009 and 2015 which made pop-punk big again. It was inevitable really that kids growing up listening to Green Day and Blink would now want to form bands of their own. The Wonder Years, The Story So Far, and Neck Deep ended up being the real leaders of this short comeback, championing a much more hardcore influenced sound with energetic live shows being a massive draw for fans.

Despite having a DIY feel and never reaching the mainstream heights like before, this wave made pop-punk top of the alternative scene for a good few years until artists started. experimenting more with their sound and once more, distorting the lines and expectations of what pop-punk is meant to sound like.

So, is there a new wave coming?

Pop-punk is seeing a small amount of chart success once again thanks mostly to… *checks notes* Machine Gun Kelly?

After trying to take on Eminem and failing, the rapper has made a complete genre switch with the release of his full length Pop-punk album, ‘Tickets To My Downfall’, and you know what? It’s actually pretty good! It shares a similar sound to the hayday of the 2000s and there’s probably a good reason for that as it was heavily influenced by Blink-182 drummer, Travis Barker. Travis has been a busy boy working with a number of punk/rap crossover artists including Nothing, Nowhere, KennyHoopla and Willow Smith. All these artists starting pop-punk projects is bound to bring more fans to the scene! We’ve even seen the likes of Doja Cat and Miley Cyrus adopting rockstar personas for some of their live performances.

Some old school bands are reaching new, young fans via the nostalgia trip that is TikTok. The audio centered app has seen songs from All Time Low, MCR, Taking Back Sunday and many others go viral.


So will this start a new wave? If you ask me, probably not. The success of the likes of MGK trickling down to the rest of the scene relies highly on these new fans being proactive and engaging in the discovery of new bands which is something I don’t see them doing. These crossover artists also seem to be keeping to themselves, touring together in their own little group and doing very little to promote or even acknowledge anyone else in the Pop-punk scene.

Neck Deep vocalist, Ben Barlow, took to Instagram recently to voice his opinion on the matter:

“Is it pop punk or is it just pop? Is it really punk or is it $2000 an outfit to look like one? Is it just celebrities grabbing at something they don’t understand for insta relevance? It’s all of those things, but it ain’t pop punk. Go jam some Green Day people”.

He goes on to say, “I’m all for pop punk getting some recognition. And I’m not gatekeeping it from anyone, it should be for everyone. But when you don’t give back to the genre, don’t put on smaller bands and you just use it to appeal to the clueless celebrity circles and top 40 normies with no respect for the world it comes from, it belittles the work and experience of some of the bands who have kept the genre alive”.


Are we seeing a new wave of Pop-Punk? Tell me what you think on instagram or twitter and drop a follow while you’re there so you don’t miss new content including the imminent return of live music!


Download Pilot: 5 Must See Bands

The Download Pilot is fast approaching! 10,000 fans will be participating in the unique event at Donington Park which has an incredible lineup of home grown talent.

If you’re one of the lucky ones attending but you still haven’t decided who to see, here are my top picks.

Holding Absence

Friday. Second Stage. 19:20

Holding Absence are an absolute must see if you ask me. They’re fresh from the release of one of the best albums of 2021, ‘The Greatest Mistake Of My Life’, and will be itching to play some of the new songs live.

Static Dress

Sunday. Second Stage. 11:30

Static Dress are still a very new band and their aggressive nature should be enough to wake you up and shake you up during their morning set. They’re going to do great things over the next few years so make sure you see them while they’re still small so you can be annoying about it when everyone else starts talking about them too.

Enter Shikari

Saturday. Main Stage. 21:35

This band needs no introduction really. They make this list because they released a fantastic album last year which they STILL haven’t played to a live audience! They’re a fantastic live band who have been held back for 18 months so expect a great show from them.

Loathe

Sunday. Main Stage. 14:00

If you’ve been paying attention, then you already know about Loathe. If not, where have you been!? Loathe have fantastically unique ambient metal sound which is made them really stand out from the crowd. Everybody is talking about them and I have no doubt they’ll be huge in a few years so don’t miss them!

Trash Boat

Sunday. Second Stage. 18:15

A common theme across this list is new music, and Trash Boat have switched things up massively! The Download Pilot will be the first chance to hear Trash Boat’s new sound live and why wouldn’t you want to do that?


Although I’ve only listed 5 here, my biggest recommendation would just be to see as many bands as you can and make the absolute most of the experience. We’ve been deprived of live music for so long and this is an amazing opportunity to show how much it is appreciated. With no clashes across the whole weekend, there’s no excuse not to Soak in as much music as possible.


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